Music For The Masses — Depeche Mode Discography


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Music For The Masses Lyrics. I'm taking a ride. With my best friend. I hope he never lets me down again. He knows where he's taking me. Taking me where I want to be. I'm taking a ride. With my.


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Music for the Masses is the sixth studio album by English electronic music band Depeche Mode, released on 28 September 1987 by Mute Records. The album was supported by the Music for the Masses Tour, which launched their fame in the US when they performed at the Rose Bowl in Pasadena. The tour led to the creation and filming of the documentary/live album titled 101.


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Depeche Mode's Music for the Masses is steeped in high drama, each track spilling into the next like a pop-rock opera. In the 1980s, the influence of Kraftwerk and new wave took the shape of radio-friendly post-punk synth-pop like that of the U.K.'s Depeche Mode. In 1987, the band released Music for the Masses, an album that revealed a darker.


Music For The Masses — Depeche Mode Discography

Music for the Masses (Deluxe Edition) Depeche Mode POP · 1987 Landing in between the pensive darkness of Black Celebration and the wide-open vistas of Violator, 1987's Music for the Masses finds Depeche Mode retooling synth-pop for a bigger stage.


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Depeche Mode - Music For The Masses Official Album Playlist Depeche Mode 16 videos 1,013,020 views Last updated on Dec 4, 2020 Depeche Mode - 'Music For The Masses' (Sire/Mute - 1987).More.


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18 songs • 1 hour, 19 minutes Music for the Masses is the sixth studio album by English electronic music band Depeche Mode, released on 28 September 1987 by Mute Records. The album was.


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1983 Vinyl — LP, Album Violator


Music For The Masses — Depeche Mode Discography

With Music For The Masses, Depeche Mode stepped up their level of artistry—thanks in no short measure to the increasing influence of Alan Wilder—and reached for something more. The success and acclaim that followed turned Depeche Mode from curious electro synth-driven pioneers into a bone fide, critically acclaimed "band" that offered depth.


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Depeche Mode - Music For the Masses Remastered HQ Respectful Remasters by Metalmucil 41.8K subscribers Subscribe Subscribed 7.5K Share 1.1M views 7 years ago Not much to say on this one, great.


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Music For The Masses — Depeche Mode Discography

1 Strangelove (Single Mix) 6:32 2 Strangelove (Midi Mix) 1:39 3 Fpmip 5:23 4 Strangelove (Blind Mix) 6:33 5 Pimpf 4:33 6 Strangelove (Pain Mix) 7:22 7 Agent Orange 5:05 8 Never Let Me Down Again (Split Mix) 9:35 9 Pleasure, Little Treasure (Glitter Mix) 5:35 10 Never Let Me Down Again (Aggro Mix) 4:54 11 Never Let Me Down Again (Tsangarides Mix)


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Music for the Masses is the sixth studio album by English electronic music band Depeche Mode, released on 28 September 1987 by Mute Records. [4] The album was supported by the Music for the Masses Tour, which launched their fame in the US when they performed at the Rose Bowl in Pasadena.


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Depeche Mode - Music For The Masses cover We revisit the Mode's game changer - an adventurous, hedonistic drive into unchartered territory that brought them both critical and commercial acclaim… There's only so long you can play the 'outsiders' card. Depeche Mode have built a career on it.


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Gospel Acclamation Alleluia: Mass of Renewal (Curtis Stephan) Spirit & Psalm 2024: p. 60. Instrumental Christmas music in this podcast is from Joy to the World: A Jazz Christmas by OCP artist Rick Modlin. Liturgy Podcast is a weekly liturgy planning resource for musicians, liturgists, homilists, youth groups, faith sharing groups, and all.


Music For The Masses [VINYL] Amazon.co.uk

Caught between the two, and sharing the light with 101, Music For The Masses isn't a small album, nor is it a weak one. From an increasing distance, though, it feels underrated - which may be a surprise to anyone in the crowd shown in 101, listening to Los Angeles's powerhouse station KROQ spinning songs from it constantly, attending that Rose Bowl show.


Music For The Masses — Depeche Mode Discography

Music for the Masses caught Depeche Mode just as they were blossoming into one of Britain's bigger rock acts. This was accompanied by growing studio pressure for the band to adopt a more "accessible" sound, eschewing the darkest and most industrial-leaning of 1986's Black Celebration. Never ones to succumb to outside influence, the guys dropped.